The Plays of Arthur Schnitzler Vol. 1 (1892–1896)

Schnitzler Collection · Viennese Modernist Theatre

The Plays of Arthur
Schnitzler Vol. 1

by Arthur Schnitzler

Four masterpieces of Viennese modernist theatre — new translations of the early plays that launched one of European drama's most psychologically penetrating voices.

Plays Span1892 – 1896
Original LanguageGerman
Editor / TranslatorArthur C. Rauscher
FormatseBook · Print
Four Plays· Arthur Schnitzler· Vienna 1892–1896· Anatol · Das Märchen · Liebelei · Freiwild· New English Translations· Critical Analyses & Notes· Four Plays· Arthur Schnitzler· Vienna 1892–1896· Anatol · Das Märchen · Liebelei · Freiwild· New English Translations· Critical Analyses & Notes·

About the Book

The early plays that shaped a modernist master

Set against the backdrop of fin-de-siècle Vienna, these four plays interweave themes of art, love, and identity, with Schnitzler's unique psychological insight portraying a society on the brink of transformation. Together they trace the emergence of one of European modernism's most psychologically penetrating dramatists — from the witty, melancholic episodes of Anatol to the pointed social critique of Freiwild.

Schnitzler is perhaps best known to Western audiences as the author of Traumnovelle (Dream Story), the 1926 novella that served as the inspiration for Stanley Kubrick's final film, Eyes Wide Shut. The plays in this volume predate Traumnovelle by three decades, revealing the younger Schnitzler finding his voice in imperial Vienna — already possessed of the psychological precision and moral fearlessness that would define his career.

This is a serious edition for readers, students, and scholars who want to engage with Schnitzler's early dramatic work fully and in depth, with each play receiving its own scholarly apparatus of introduction, critical analysis, and act-by-act annotation.

"These four early plays reveal the younger Schnitzler finding his voice — already morally fearless and psychologically exact."

Ovid Publishing Group Edition

The Four Plays

What's in this volume

I
Anatol (1892)
Seven episodes in the life of a charming, self-deceiving young Viennese — a portrait of romantic narcissism that remains as recognisable today as in 1892.
II
Das Märchen (1893)
A young writer confronts society's double standards about women — Schnitzler's earliest and most direct treatment of sexual hypocrisy in Viennese bourgeois life.
III
Liebelei (1895)
A love affair with fatal consequences in imperial Vienna — the play that established Schnitzler as the essential voice of Viennese theatre.
IV
Freiwild (1896)
Honour, cowardice, and the culture of the duel — a searing critique of military culture and masculine posturing in Habsburg society.

Each Play Features

New English translation from the original German
Introduction with literary and historical context
Critical analysis of themes and dramatic structure
Act-by-act notes on cultural references
Discussion of each play's place in Schnitzler's development
Full author biography

About the Author

Arthur Schnitzler

Arthur Schnitzler

Arthur Schnitzler

Arthur Schnitzler

Arthur Schnitzler was an Austrian author and dramatist and one of the most prominent figures of the Vienna Modernism movement. Born in Vienna to a distinguished Jewish family, Schnitzler trained as a physician — a background that profoundly shaped his literary preoccupations with the inner life, desire, and moral complexity.

His theatrical career began in the early 1890s with the plays collected in this volume. By the turn of the century he was the defining voice of Viennese theatre — celebrated, censored, and endlessly controversial. His works were burned by the Nazis as "Jewish filth" in 1933, yet they endure as essential documents of European modernism and of the troubled world of Habsburg Vienna on the eve of its collapse.

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